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Excite.Audio.Motion.Harmonic.v1.080.0 + Crack [New Version]

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Description

Motion: Harmonic opens up new frontiers in distortion, filtering and bitcrushing, placing you
at the centre of a dynamic and responsive sound-shaping experience. Transforming your audio signal is now an animated,
visually-led and creative experience with the innovative and reactive Hexagon controller.

From subtle warming
and shaping to intense modulated signal destruction, Motion: Harmonic puts everything you need at your fingertips.
Comprehensive parameters for distortion, bitcrushing and filtering take these effects into new creative territory, with
tools like the multipeak filter and dynamic distortion giving you new ways to play with sound.

The Hexagon,
alongside a pulsating and reactive 3D object in the main view, offers six macro sliders that can be assigned to control
any of the plugin’s effect parameters. These sliders then react to a ‘magnetic’ cursor whose path can be recorded
using mouse movements or drawn graphically.

•Bitcrush + Distortion Effects
•Magnetic Cursor
Control
•Reactive 3D Visualiser
•Interactive Hexagon Area
•6 Macro Sliders

The Hexagon:
Reactive Animation
Improving upon the concept of the traditional XY pad with new dimensions, the hexagonal control
area is first-and-foremost in Motion: Harmonic, allowing its six macro sliders to be pushed and pulled together, in a
reactive and creative way.

The six sliders act as macro controls for any distortion, filtering or modulation
parameter in the plugin. The sliders themselves are then moved by a magnetic field surrounding the mouse cursor.

Your cursor movements can be played live, recorded or pre-programmed; then controlled with extensive syncing and
playback options.

In addition, assigning any effect parameters to the centre of the hexagon means their
properties will be modulated by the incoming audio level.

Making the Moves
Your motions within the
Hexagon can attract or repel macro sliders, and your magnetic field can be customised for its Range and Strength and the
macros’ slider’s behaviour can be changed using Hold and Release timing parameters. The path of your motions can be
created and played back in many ways…

Paths can be recorded freely using the mouse cursor or designed using
drawing and editing functions. Record a path using the mouse, and you can audition and trim the recording to hone in on
your ideal pattern. Designing a path yourself is fully customisable – you can create, edit or remove points, and curve
lines between them.

Once your path shape is fully formed, the Timeline provides full flexibility for how
it’s played back and triggered. Playback can be looped or triggered by your DAW, and playback direction can be set
between Forward, Backward or Pendulum.

You can sync playback to your DAW’s tempo or run the path in
milliseconds, and even the speed of the cursor’s movement through the path can be made variable, accelerating or
decelerating during playback.

You might, for example, choose to record a slow, careful movement with your
mouse then speed it up and trigger it as a flourish. Or you may carefully design a complex movement using points and
curves, and set it to play very slowly, transforming a static loop into a continually evolving pattern throughout the
course of a whole piece.

Bitcrusher: Flavoursome Degradation
Set the bit depth and sample rate to bring
your signal’s fidelity down, emulating the grit and feeling of early digital systems. Turn up the Dynamic control to
focus the bitcrushing effect onto transients, for when you want to retain the body of your sound. Or use the Lo and Hi
sliders to focus the effect onto a particular band of frequencies to keep the rest of the audio spectrum unaffected.

The bitcrusher can be treated with pre-filters, rolling off lows or highs before bitcrushing for increased
signal clarity. It also provides a Mix control to tame the destructive effects, blending the original signal back in.

Distortion: Heat with Feedback
Dial in your preferred flavour of distortion using the Drive and Tone
controls, and smoothly transition between tape, tube and fuzz algorithms using the Character dial. Use the Dynamic
parameter to weight the distortion’s response more or less heavily to transients in the input signal, or focus the
distortion effect on a particular frequency band of your choice.

Motion: Harmonic’s distortion section also
houses a Feedback control, adding to the distortion effect with a ringing feedback loop – turn the Frequency up or
down to tailor the frequency of this resonant effect. You’ll also find a Mix control and low- and high- input
filtering.

Toggle the distortion and bitcrushing visualisers to reveal the real-time effects your settings
have on the wet signal and compare the output to your dry signal.

Filtering: Highlight and Sculpt
When
modulated by Motion: Harmonic’s Hexagon controller, these high-pass and low-pass filters, with frequency, slope and
resonance controls, can provide anything from distortion-calming and slow, undulating effects to rhythmic sweeps and
chops.

The filter effects can be placed before or after the Bitcrushing and Distortion modules withe the Post
FX buttons.

The Peak Filter allows you to dial in a symmetrical bank of peaks or notches to replicate complex
audio effects like spectral resonance or a shifting phaser sound.

Use the No. control to increase the number
of peaks, and the Frequency and Q controls to change their position and shape.

The Contrast and Invert
switches add further flexibility and customisation to this unique module’s usage.

Toggle the peak filter
and LP/HP visualisers to reveal the spectrum analysers and the curves of the filters across the frequency range .

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